Category Archives: real live action

Jeremy Jay

with Nucular Aminals, and Girlfriends & Boyfriends. January 28 @ The Waldorf.

  The stage of the dark lit and carpeted basement of the Waldorf Hotel was first occupied by the Vancouver bred three-piece new wave/post-punk band Girlfriends & Boyfriends. Their sound is an arm cannon away from a Mega Man boss battle scene circa 1987. Fueled by the most delicious aspects of ‘80s glam rock, the band produced bass-heavy sounds bow-tied in glossy ribbons of synth and hair-volumizing guitar solos that screamed from Pete Panovic’s Flying V. The set was short but impressive, a must-see amongst the Vancouver music scene.
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Synthcake

with Thee AHs, and The Laser Love Cats Cult.
January 14 @ The Zoo Zhop.

Thee AHs   |   photo by Audrey Alexandrescu

Thee AHs   |   photo by Audrey Alexandrescu


  By the time the Laser Love Cats Cult burst into their first song, at least 30 people were already crowded into the cozy, dark room of Vancouver’s favourite d.i.y. venue, the Zoo Zhop. The five-piece have roaring guitar solos and sweetie pie lyrics (including one song where lead singer, Peter Volbek, professes his love the way only an awkward poet could: “If I was a vampire, I’d suck all your blood”). Read More »

The Tranzmitors

with Manic Attracts, and The Wild Ones.
January 14 @ Pat’s Pub.

  Those who braved the first snowfall of winter and made their way to Pat’s Pub treated themselves to three groups that each put their spin on some good ol’ fashion punk rock. The Wild Ones kicked off the night and won over the crowd with their girl-group charm. Sporting matching gold dresses, tattoos and Marianne Faithfull hairdos, the Wild Ones proved you can look good and rock out without sacrificing one for the other. California surf and ‘60s rock/pop influences seeped their way into the Santa Cruz band’s sound, but the Wild Ones have a punk rock edge to them.
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Blouse

with Mode Moderne, and Student Teacher.
January 13 @ The Waldorf Hotel.

Blouse   |   photo by Steve Louie

Blouse | photo by Steve Louie


  Student Teacher’s knack for folding distorted, heavy guitars drenched in reverb was noticeable at their opening set at the Waldorf Hotel. The band’s penchant for underground echoes was apparent in “Left For Dead”, a ten-minute dirge blending solid drums and gritty guitars. Needless to say, the set felt as if it should have been performed in a basement, as the room didn’t lend itself to the band’s thick rumble and fuzz. Despite this, a cover of Black Tambourine’s “Throw Aggi Off the Bridge” was without a doubt one of the highlights of the night.
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Bel Riose

with Man Your Horse & The Barcelona Chair.
January 11 @ The Biltmore Cabaret.

  I get the feeling from talking to Vancouver natives that the Barcelona Chair don’t exactly maintain a consistent lineup—the last time I’d seen them was as a four-piece, so it was an initial disappointment to learn that their violinist had moved back to Hamilton, ON. I was skeptical that their brand of mathy post-rock could survive as a trio, but I was blown away by the sounds that persevered. Their guitarist can seriously shred, and the rhythmic convulsions of his body as he played was like a weird conductor’s dance. Read More »

Open Mics Galore

Intro by Eddie Lam

open mics galore illustration
  Believe it or not, some well-known B.C. artists have started out doing open mics before getting to where they are today, including the lovely Carly Rae Jepsen, the exciting Vancouver band Hey Ocean! and even the 2010 Juno-nominated twins Carmen & Camille!

  Open mic nights are a great way for musicians to not only showcase their established work, but also to experiment with new songs or works-in-progress. Whether you’re a rising star, an artist who’s starting out, or just wanting to play music for the fun of it, the stage is always open for those who enjoy playing in front of an audience, earning smiles one song at a time. In this issue, we mention some of Vancouver’s well-known open mic spots that are available for your musical needs and pleasure.
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RiDylan

with Tassels, and //Zoo
December 18 @ The Astoria

  Black Light Sundays is a recently initiated biweekly night at the Astoria showcasing experimental/noise/genre-straddling electronica acts. The venue was sparsely populated with mainstays of the local weirdtronica scene, including Colby Sparks and Holzkopf, among others. Twitchy, looping and overlapping footage of what looked like patients being administered electro-shock therapy, interspersed with scenes from an ancient black and white adaptation of Alice’s Adventures in Wonderland, were being projected on a screen in the back of the club.
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Tennis

with Devon Williams.
December 13 @ the Biltmore Cabaret.

Tennis- Origins

  There was love in the air at the Biltmore Cabaret. However, it wasn’t the love I was feeling over a Phillips Blue Buck, nor for the plethora of angel-headed hipsters all frolicking around in their hand-me-down clothes. The love was a direct result of the music being generated by husband-and-wife-driven indie-pop sensations, Tennis.
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The Lost Lovers Brigade

with Shimmering Stars, and Kellarissa.
December 16 @ The Interurban Gallery.

<em>The Lost Lovers Brigade</em>'s Elisha Rembold<br>photo by Audrey Alexandrescu

The Lost Lovers Brigade's Elisha Rembold
photo by Audrey Alexandrescu


The Lost Lovers Brigade- Lost Lovers

  “No one really pays attention to the CiTR booth”, a friend told me as I unfolded the table I’d be stationed at, giving away magazines and trying to sell t-shirts for Discorder’s Fit To Print art show. Thankfully, this meant I had plenty of time to check out the collection of Discorder contributors’ illustrations and photography collected at the Interurban Gallery. The art adorned a small stretch of real estate in the otherwise empty spot, but early birds made the space feel as alive and vibrant as much of the artwork did with pastel colours and collage layouts.
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Blackout Beach

with The Ruffled Feathers, Fine Mist, and Alicia Tobin. December 8 @ The Anza Club.

Blackout Beach- Deserter’s Song

  I wasn’t really sure what to expect out of Megaphone’s third annual Night of Joyful Voices—a mixed line-up of music and comedy whose purpose was to recognize the work of the publication’s vendor program—but I wasn’t about to miss out on Blackout Beach, so I bundled up tight on a crisp December evening and headed down to the Anza Club to take it all in.
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